Good Ideas, Capital, and the Crumbling of the Authority Paradigm

Conor Friedersdorf has a good idea:

Were I given my way — hey, last time I wrote an essay like this I was, so it’s worth a shot — I’d secure funding for a Web site that aggregated diverse opinions on various issues, commissioned thoughtful magazine pieces of argument and analysis… and then deliberately commissioned the strongest rebuttals, counterarguments and alternate takes, and published them all side by side, facilitating productive conversation whenever possible. (In innovative ways!) An enterprise that gave diverse views a fair shake — and earned the trust of readers necesary for its success — couldn’t be run by just one editor, so I’d set up an ombudsman blog, give access to a couple dozen carefully selected, variously minded folk who all believe in the journalistic project, and guarantee that whatever they penned would appear on the front page, as a check on the editor’s power.

I had a good idea once, too. My idea was that since artists increase property values in any given area, by attracting hipsters and cultured people with money, we should start an enterprise that consisted of moving a group of artists temporarily into fallow real estate, fixing it up, making it gorgeous, holding art events with publicity assistance from major cultural organizations, and then moving to the next space when desirable tenants were found. The radical part of this idea was that the artists would get paid to do this.

To this end, I talked with dozens of artists, event planners, lawyers, investors, businessmen, and cultural organizations. Everyone agreed that this was a splendid idea. I put together a core team of people with diverse practical skills, wrote up a business plan, ran it by some accountants, and applied for funding and fiscal sponsorship. Then all of our financial and political capital (i.e. the business/legal/cultural organization contingent) vanished without a trace.

After I got over my shell shock, I realized the obvious--that the entire foundation of our cultural economy depends on the fact that artists work for free. As much as it is politically expedient for those with cultural and financial clout to pay lip service to the idea of supporting the arts, artists, and freedom of expression, they are never going to back a project which threatens their authority.

This may go some way toward explaining why good ideas like Conor's so rarely become manifest in reality. The difference between an eccentric loser crackpot and a visionary creative mind is merely one of financing. But for every thoughtful, erudite screenplay that languishes in the slush pile, Hollywood makes ten inane, derivative blockbusters that are forgotten in two weeks; for every architect who designs an elegant, energy-efficient, sustainable building, developers put up forty more strip malls; for every thousand hard-working, skilled, reliable employees who lose their jobs, some investment banker pockets another multi-million dollar bonus, courtesy of the federal government.

As has become inescapably clear to anyone who has read a headline in the last four months, 'authority' in our society has become nearly synonymous with 'sociopaths, narcissists, pigs, sadists, and nincompoops.' And yet those of us with good ideas--those of us with skills, ethics, talent and vision--stand around wringing our hands, as we have been wringing them ever since we first graduated from college with honors, and discovered that we had a choice among sacking groceries, waiting tables, and temping.

In days past, when smart people with initiative found themselves crushed by corrupt and oppressive systems of authority, they went somewhere else. They colonized Australia, or Canada, or California. But we have no physical frontiers left on the planet, and the corruption of brainless, brutal authority threatens to destroy us. We have to find another paradigm--one that consists of action, real action, not useless symbolic statements like rallies, petitions, protests, and Marches On Washington.

Because an enormous part of the problem is that we have all been trained from the cradle to respond to authority like children. Meek submission, blind obedience, feeble protest and violent revolution are all part of the same authority-dependent continuum; they all acknowledge that the power of the violent alpha, the one with the money, the connections and the brawn, is what determines our circumstances.

So what might a trans-authority paradigm look like? Could it start with community building? Could it benefit from consensus decision-making? And how can it be financed? Consider this an open question.